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Nathaniel Ritter's avatar

One practical first step toward the spiritual proprioceptivity you are describing is learning to recognize the characteristic tropes of AI-generated content before producing much of it ourselves. This applies to writing, image generation, music, video, design, research synthesis, and every other domain where generative systems now mediate human expression. For those already using these tools, it may require pausing long enough to study their habits more carefully, then returning to them with greater discipline.

Every generative AI system has default gestures. See https://tropes.fyi for a catalog of those most common to current LLMs. These signatures are the residue of systems optimized to satisfy at the mean of human preference. They are Ahrimanic in form even when the subject matter appears spiritual, organic, or humane to the untrained mind.

Someone who uses these tools without developing awareness of their tropological signatures risks losing craft, credibility, audience retention, and more. They begin laundering machine cognition through their own name and voice. Their aesthetic sense is often trained, very quickly, to accept electronic defaults as the norm of personal expression. Their judgment is softened by ease, titillation, and rapid dopamine hits. Their own work then reenters the cultural field and future training datasets as another piece of smoothed, derivative, machine-shaped material, further normalizing the cognitive habits they never learned to perceive.

This is why basic AI literacy now has to include trope recognition. We should be able to see the standard LLM essay structure, the synthetic image glow, the overdetermined symbolic collage, the bland cinematic prompt aesthetic, the statistically obvious chord resolution, the ersatz profundity. Many people already sense these signatures, with varying degrees of consciousness, and either engage such content differently or ignore it altogether.

If the hinge between AI-as-instrument and AI-as-substitute is the inner development of the person holding it, then recognizing the instrument’s characteristic deformations is a prerequisite for holding it consciously. The danger is that it will train people to stop noticing when their own expressive faculties have been replaced by the most Ahrimanic of defaults.

Bernhard Guenther's avatar

Well written and very insightful. Thank you.

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